We are very grateful to our Board Members and Collaborators.
They help us achieve our mission by donating their time and efforts by engaging with us in research, working groups, partnerships and generation of ideas.
President and Founder
Her passion for ballet combined with her passion for enabling the arts to be accessible to all children regardless of their socio-economic status lead to the establishment of Ballet without Borders in 2016. Having realised how inaccessible this art form is for many people, including herself when she was a child, Katia wanted to ensure that every child should have the opportunity to experience the joy of ballet.
"Ballet teaches you discipline, drive, musicality, all of these wonderful life skills combined with the joy and health benefits of movement. Why should a child who does not have the opportunity to attend a ballet class due to their socio-economic status miss out? I want to give this opportunity to all those children who would otherwise never attend a ballet class, they may not fall in love with this art form but they will have had the opportunity to experience it. An opportunity all to often denied."
Vice-President and Principal Artist, The Australian Ballet.
Leanne and Katia found each other on Instagram and after contacting her about an interview for the blog I was delighted to learn that Leanne was very passionate about our work and wanted to continue the collaboration.
Treasurer and Secretary and Director Customer Services - SDN
Geoff has a long history of working in the not for profit and community centre. As the former Director of Social Leadership Australia and Executive Director of Innovation at Life without Barriers, Geoff's experience in working with communities, passion for equality and being able to have difficult conversations are some of his many skills and values that he brings to Ballet without Borders.
COLLABORATORS & ADVISORS
Freelancer and dancer with Ballet Vlaanderen
Juliet and Ballet without Borders connected after it's founder saw her amazing performance for MONA in 2016 and after connecting over social media, both realised that they shared similar passions for bringing dance to a much wider audience.
Talent and passion for dance aren't exclusive to the demographics who are privileged enough to be able to afford to pursue the career. As ballet fights to maintain its relevance in the fast-paced modern world, its accessibility becomes central to the issue, so the work that Katia does with Ballet Without Borders is an important missing link in the dance community in Australia.
Freelance dance teacher
Sharyn has extensive dance teaching experience and holds several dance related diplomas, studies in Pilates, body strength and conditioning, nutrition, as well as a diploma in psychology and child development. Sharyn also owned and managed her own dance studio for 21 years.
Sharyn studied ballet from 1962 - 1972 with Estella Nova and Jeffrey Kovel (principal Dancers of the Australian Ballet Company) with further study at the Scully Borovansky School and various other dance academies for senior years. She also studied Flamenco Dance with Estella Nova, Anita Ortega and Hilary Kaplan as well as contemporary and jazz dance at Bodenweiser Dance Centre with Margaret Chapel, Edith Peluso, Ted Williams, David Atkins and Mira Mansell.
Sharyn has been a part of the RAD examiners for over 15 years and has been invited to tutor many dance Courses for both private dance studios and on behalf of RAD Panels in the capacity of teacher and examiner for the past 30 years.
During her time as a Ballet Teacher Sharyn has taught, worked with and examined children with many forms of disabilities and in 2017 registered a new Business "Dance Over The Spectrum" and commenced classes in 2018.
Dance Over the Spectrum is offering specialised Dance classes for children with ANY type of disability and the website with further details can be found at www.dotsdanceoverthespectrum.com
Mitchell began formal dance lessons at the relatively late age of 13 in his home town of Newcastle.
In 2001 he commenced at the Robyn Turner Ballet School, where he studied classical, jazz,
contemporary and character dance, before taking up full-time dance studies there under the
guidance of Tessa Maunder in 2003. Mitchell was accepted into The Australian Ballet School in
2005 and received a contract with The Australian Ballet in 2008 where he went on to perform roles
in many traditional ballets as well as new works by various esteemed choreographers such as
Graeme Murphy & Alexei Ratmanksy. Throughout his time in The Australian Ballet Mitchell had the
opportunity to perform internationally in New York, Los Angeles, Paris, London & Tokyo as well as
various major cities in Australia. Mitchell retired in 2016 and now lives and teaches in Sydney.