Q&A with Kathleen Hamilton

This month we had the pleasure of interviewing Artistic Director of Australian Institute of Classical Dance, Kathleen Hamilton who are also one of our latest partners to support the work that we do.

In 3 words what does ballet mean to you?

Emotion, being, giving.

What would be your favourite ballet to dance?

A pas de deux choreographed to a favourite adagio piece of music. I think it is the music which compels one to dance. I had the good fortune of dancing a pas de deux to Rachmaninoff’s “Vocalise”. It was like stepping into heaven each time we performed it.

Do you believe that ballet is a readily accessible art-form?

No, I don’t think ballet is readily accessible because of the expense to go and see ballet live and the expense of lessons and dance gear for those wanting to learn ballet. Other arts, such as singing, music or acting, can accessed by community-based clubs or groups but not for ballet. In this country, visual arts seem to be well catered for in the way of public art galleries but the performing arts have always struggled from not enough government funding. In countries where the performing arts are well subsidised, the access to reasonably priced tickets is much better.

What do you believe is a typical misconception about ballet that you would like to set straight?  

Ballet is often thought of as an elite art to view and an elite activity for children to learn because of the expense involved. It would be great to bring ballet into the early learning and primary school education system as a part of the sports subjects, combining it with other forms of dance and using ballet exercised as part of warming up for track and field, ball games and other sports activities. Ballet might become recognized as a fitness and good health activity as well as an art form. This might encouraging more interest and understanding of ballet.

What are you reading right now?

“The Vanishing Half” by Brit Bennett.

One thing that most people don’t know about you?

I am pretty much an open book so I can’t think of anything that most people don’t know about me. I try not to despair of the violence and abuse of power in the world but focus on the amazing human, creative, spirit which has enhanced our world throughout history.

Why is the work BWB do so important?

I think some people are born dancers but for lack of encouragement or opportunity in life, miss out on fulfilling their talent. BWB could be a game changer for these circumstances.

Favourite ballet to watch?

Kenneth McMillans “Romeo and Juliet” and Fredrick Ashton’s “A Mid-Summer Nights Dream” Both ballets tell the stories so well and both are so musically choreographed.

If you could go back to a point in time in your life, what advice would you give yourself?

I would tell my 15yr old self to forget about being shy, have the confidence to push oneself forward and instead of being afraid of failing, learn from experiences and not to lose self-awareness and confidence.

You have been given an elephant! You cannot sell it or give it away, what do you do?

I would rally around friends, family and community and make it a communal challenge to find local accommodation, food and nurturing for the Elephant. A challenge shared is a challenge solved and the joy of success is also shared.

Q&A with Shane Wuerthner

Shane’s dance journey began at The Kirov Academy of Ballet, where he graduated top of his class in 2004! His exceptional skill and artistry were recognised by several prestigious companies, including San Francisco Ballet, American Ballet Theatre, Boston Ballet, The Royal Danish Ballet, and Vienna State Ballet. Wuerthner accepted the offer from Vienna State Ballet and joined as a corps de ballet memberin 2005. In 2012, he made a significant move to The San Francisco Ballet as a soloist. In 2014, Wuerthner joined Queensland Ballet as a Soloist, and his unwavering commitment and consistent performances led to his promotion to Principal in 2015.

Having retired from ballet in 2017 to begin a career as a personal trainer. His knowledge of dancer conditioning and passion for fitness quickly made him a sought-after figure in this field. Notably, he was named Personal Trainer of the Year before he had even completed a year as a trainer. Wuerthner's experience in fitness led him to establish Athletistry Personal Training, a venture that focused on adult ballet coaching and holistic movement practices. Building on the success of this venture, he launched Athletistry Studio, which marked his return to the ballet world in an administrative capacity.

In 3 words what does ballet mean to you?

My life’s passion

What would be your favourite ballet to dance?

My favourite ballet I ever danced was Anna Karenina by Boris Eifman. I had the opportunity to dance both the corps de ballet and Vronsky. It was an incredibly challenging ballet in which no one had the same choreography. I remember when people would get sick or injured in the corps, it would often take 4 people just to replace 1 person, and if any of the 3 principals went off they would replace the entire principal cast.

Do you believe that ballet is a readily accessible art-form?

I think it has become more accessible in recent years, but it still has a long way to go. Other forms of commercial dance have opened a gateway to ballet being more widely accepted, but it still sits in an elite space that still is out of reach for many. The cost of performances and ballet training can be extremely high which places ballet in a higher socio-economic bracket. Efforts that have made ballet more accessible have included outreach programs, scholarships for talented dancers from underprivileged backgrounds, and the incorporation of contemporary themes and music to attract a younger and more diverse audience. Digital platforms have also played a crucial role in making ballet more accessible both through performances and in a training capacity as is the case with what I offer through Athletistry. Despite these efforts, the challenge remains to fully democratise ballet and make it truly accessible to all, regardless of socio-economic status, background, or geography. This requires not only addressing the financial barriers but also challenging the cultural perceptions that frame ballet as anexclusive art form. By continuing to innovate and open doors to diverse audiences and talents, I believe ballet will evolve to be more inclusive, reflecting a broader spectrum of society's narratives and experiences.

What do you believe is a typical misconception about ballet that you would like to set straight?

That it is all pink tutus and fairies. Ballet is incredibly powerful in it’s ability to portray complex societal narratives and emotions. Especially through much of the choreography done in the mid to late 20th century we see a development towards unique stories being told with deeply touching story lines that weren’t evident in the classical and romantic era of ballet. I also think ballet is seen as something only for women. As a man in ballet, the training I experienced was intense, challenging and very masculine in it’s design. I had a male Ukrainian teacher and our classes would run for 4-5 hours 6 days per week. Jumps, turns, athleticism and power were all emphasised and prioritised.

What are you reading right now?

The Book on Mental Toughness by Andy Frisella and The Laws of Human Nature by Robert Greene

One thing that most people don't know about you?

My first dream in life was to be a musical theatre artist on broadway. I actually didn’t like ballet very much as a child until I had the opportunity to train with a male ballet teacher named Mikko Nissinen who is now Artistic director of Boston Ballet.

Why is the work BWB do so important?

It is bridging the accessibility gap for those who would otherwise never be exposed to the incredible art of ballet. This is so essential as it is how the art form will be maintained into the future. By sharing ballet with children we build the possibility that they will become lifelong lovers of ballet if not performers or teachers who become it’s future custodians.

Favourite ballet to watch?

La Bayadere

If you could go back to a point in time in your life, what advice would you give yourself?

Speak up. I was always very quiet, and not a great advocate for myself. As a result I often ended up being a push over and this lead to me feeling unvalued. So many of the misunderstandings I had in my career could have been avoided had I communicated how I felt earlier.

You have been given an elephant! You cannot sell it or give it away, what do you do?

Teach it to dance.

Q & A with Vito Bernasconi

We had the pleasure of interviewing Vito, current soloist with The Queensland Ballet.

1. In 3 words what does ballet mean to you?

Passion, Courage, Creativity

2. What would be your favourite ballet to dance?

Sir Kenneth Macmillan’s ‘Romeo and Juliet’. While I’ve performed Tybalt, Mercutio, Lord Capulet and Lead Mandolin, I’ve never performed Romeo and hopefully one day I can experience the role.

3. Do you believe that ballet is a readily accessible art-form?

I believe that ballet is a readily accessible art-form to watch and perform in metropolitan areas, and the more outreach we can undertake as a community, the more possibility there is to affect many more future dancers and performers in wider reaching areas of this country and the world. 

4.  What do you believe is a typical misconception about ballet that you would like to set straight?  

I have a few:

Ballet is not just for girls, it is for anyone and everyone. Ballet does not define your sexuality. MYTH: Ballet is easy. FACT: Anyone who does ballet requires a high level of physical, mental, psychological and emotional fortitude. It is an art form for the strong, focussed and determined. 

5. What are you reading right now?

I have just finished ‘What Doesn’t Kill Us’ by Scott Carney, and am excited to have begun reading ‘Mr. Einstein’s Secretary’ by Matthew Reilly. He’s one of my favourite authors. 

6. 1 thing that most people don't know about you?

I hate sand out of context. Unless I’m having a beach day and able to rinse it off, it really annoys me. 

7.  Why is the work BWB does so important? 

Everyone needs art in their lives and I believe that everyone deserves to express themselves creatively and passionately in any way they wish. With the mission of bringing ballet to as many people as possible, BWB is ensuring that more people have the possibility to have ballet enriching and enhancing their lives. 

8. Favourite ballet to watch?

I have always admired After The Rain by Christopher Wheeldon. The music, Spiegel I’m Spiegel by Arvo Pärt, and choreography have an incredible symbiotic connection and it has been a dream of mine to one day perform the main Pas De Deux.

9. If you could go back to a point in time in your life, what advice would you give yourself?

I would go back to any time that I’ve had a big decision to make and remind myself, ‘Trust your instincts and follow your heart’. 

10. You have been given an elephant! You cannot sell it or give it away, what do you do?

I would call it Dumbo, Trunks or Stampy and wonder how I was going to get it up to, and fit in, my apartment! I would also be obligated to come into any awkward conversation to comprehensively and effectively express, ‘the elephant in the room’.

Q & A with Chloe Angyal

Meet Chloe Angyal, the author of Turning Pointe-How a new generation of dancers is saving ballet from itself. Turning Pointe is a book about the future of ballet, and a reckoning with all the forces – racism, sexism, elitism, and more – that endanger that future.

Chloe originally hails from Sydney and is now based in Iowa in the US.

In 3 words what does ballet mean to you?

Tradition, progress, potential.

What would be your favourite ballet to dance?

I'd want to be a Wili! The corps work in the second act of Giselle is so intense and beautiful, and who doesn't want to belong to a sorority of vengeful ghost brides?

Do you believe that ballet is a readily accessible art-form?

No. It's exclusive in so many ways: it's expensive to train and to watch, it's unaccepting of those who fall outside of a strict gender binary, and it's generally a hostile environment for dancers of colour, especially Black dancers and most especially Black girls and women.

What do you believe is a typical misconception about ballet that you would like to set straight?

Inside the ballet world, I think there's a misconception that ballet cannot and does not change, and that's simply untrue. The history of ballet is a history of radical change; it's what has allowed the artform to survive as the world around it changes. Those inside the ballet world are too willing to call stagnation or oppression "tradition," and that threatens the future of the art form.

What are you reading right now?

Heartbreaker, by Sarah MacLean. I love a good romance novel.

Ballet without Borders aims to allow children from disadvantaged backgrounds to experience ballet- if you had ultimate power for a day what would you do to make this happen?

Strip tuition down to what's actually essential to pay teachers well and make sure kids get a safe and fulfilling experience. Put teachers of colour in every dance school, regardless of the racial makeup of the students, so that all ballet students grow up seeing people of colour as dance leaders and as sources of knowledge about the art form. Commission dozens of new story ballets that tell new stories from around the world, not the same old European fairy tales ballet has been rehashing for the last two centuries. Design and bring to market a safe, affordable, durable pointe shoe in as many skin tones as possible.

Favourite ballet to watch?

After the Rain, by Christopher Wheeldon.

If you could go back to a point in time in your life, what advice would you give yourself?

I'd go back to age 12, when I was told that my body wasn't right for ballet, and when I started believing that made me a failure. I'd tell myself that ballet technique has no moral valence, and that being good at ballet doesn't make you a good person. It just makes you good at ballet.

You have been given an elephant! You cannot sell it or give it away, what do you do?

In exchange for food and care at a sanctuary, I'd lend it for stud services, so that we can rebuild elephant populations in the wild.